The art design was completely new because they moved away from the realistic representations (particularly for humans and landscapes) that had characterized previous films such as Snow White and Cinderella. The backgrounds were filled in with blocks of color that did not always “stay within the lines” and the art designers purposefully set reference lines and items within the scene asymmetrically. It was the first time since Fantasia that the art design was dedicated to being “art” — a fully realized vision with its own syntax and vocabulary.
Tuesday, January 25, 2011
Review: 101 Dalmatians 50th Anniversary
My latest post at Edward Copeland on Film.