Ah, Sundance. The place where Paris can snarf up free flip flops, and Roger Ebert can tell us about delightful films that will never get distributed (okay, at art houses in NYC and Chicago). At least there's Netflix...all hail Soderbergh, the smasher of the "window."
Will the demolition of the movie as "event", that is, something to go out to do, draw more people to the theatre for their communal artistic fix? Here's hoping...
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